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MOVIE
The 50 Best Horror Movies You've Never Seen
6.12014
Fifty lesser-known horror flicks hailed by critics and genre fans as "absolute must-sees" are given the spotlight with fun, engaging commentary from journalists, directors, actors and critics in a countdown like no other. Stalkers, monsters, slashers, evil dolls, terrorized babysitters, holiday maniacs, mannequins, eerie motels, even giant rats... they're ALL featured in "The 50 Best Horror Movies You've Never Seen!"
MOVIE
Simple Minds | Celebrate: Live at the SSE Hydro, Glasgow
8.12014
On 27th November 2013 Simple Minds played a very special concert and filmed it at the brand new award-winning venue the SSE Hydro Glasgow, the first concert to be filmed there. To an enthusiastic home audience, the band delivers rousing versions of hit after hit after hit. 1. Intro 2. Waterfront 3. Broken Glass Park 4. I Travel 5. All The Things She Said 6. Promised You A Miracle 7. Glittering Prize 8. Theme For Great Cities 9. Mandela Day 10. Someone Somewhere In Summertime 11. The American 12. Love Song 13. See The Lights 14. Don’t You (Forget About Me) 15. New Gold Dream (81, 82, 83, 84) 16. Big Music 17. Sanctify Yourself 18. Alive And Kicking.
MOVIE
Love and Terror on the Howling Plains of Nowhere
6.32014
In an isolated, high-plains community, a brilliant mathematics professor disappears from the local college without a trace. Three months later his body is discovered tied to a tree and burned beyond recognition in the remote hills south of campus. Iconoclastic author Poe Ballantine searches for clues related to the case while reflecting on his own life of wanderlust.
MOVIE
GameCenter CX: The Movie - 1986 Mighty Bomb Jack
5.52014
The story takes place in Japan in both 1986 and 2006. The 1986 storyline follows a gamer named Daisuke who wants to confess his feelings for Kumiko, a girl he likes — all while trying to reclaim his copy of the Famicom (NES) game Mighty Bomb Jack that he lent out. In 2006, the hapless game company manager Arino-kacho struggles to complete Mighty Bomb Jack in front of fans. The storylines of the boy who loves Famicom and the middle-aged man who loves Famicom eventually merge into one.
MOVIE
Billy Bragg Live at the Union Chapel London
102014
An exclusive film of Billy in concert in June 2013 performing his critically acclaimed "Tooth & Nail" album and other classic songs, at the stunning Union Chapel in London.
MOVIE
Prison Terminal: The Last Days of Private Jack Hall
7.52014
The final months in the life of a terminally ill prisoner and the hospice volunteers, they themselves prisoners, who care for him in one of America's oldest maximum security prisons.
MOVIE
Hard Soil: The Muddy Roots Of American Music
8.12014
Hard Soil traces the history and evolution of American Roots music and examines its social and cultural relevance in the 21st century. Nowhere is America's cultural evolution and diversity as palpable as in the music of the people. Folk music or alternately roots music, a collective term encompassing a variety of musical styles from Bluegrass, to Blues and from Country to Gospel. Today a wild and vibrant subculture of musicians has begun to infuse these musical styles with the sounds of the 21st century keeping the evolution of American Roots music that is not only heard in the land of Lincoln but across the globe. To many it has not only become the soundtrack to their lives it has become a way of life.
MOVIE
Senritsu Kaiki File Kowasugi! The Most Terrifying Movie in History
6.52014
In this sixth installment, director Kudo enlists the help of powerful psychic Dogen , physicist Masahiko Saito, and idol Akari, to make a big movie while investigating the abandoned "Tatari Village", where anyone who enters goes insane or dies.
MOVIE
Good Stock On The Dimension Floor: An Opera
5.52014
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.