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Fish Takes Off

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Fish Takes Off

A young woman stands on the Rialto Bridge in Venice; in a cool box is her dead goldfish. Initially she had planned to let it be carried out to sea. But then an emotion that is even stronger causes her misgivings, and so she packs the fish up again. In the surreal setting of an empty city, she sets out in search of lost meaning.

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Release : 2019
Rating : 0
Studio :
Crew : Director,  Producer, 
Cast : Salka Weber Alessandro Bressanello
Genre :

Cast List



Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.


Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Cem Lamb

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Rosie Searle

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Alex Deleon

EISENSTEIN IN GUANAJUATO is elder British auteur Greenaway's extravagant view of the famous Russian film pioneer he claims to admire immensely. The World Premiere presented at the 2015 Berlin Film Festival was an outrageously colorful ball buster, much better than expected after numerous previous Greenaway fiascos seen over the years ~ In fact, a glorious raucous Wakeup Call in the wake of a string of big name festival soporifics earlier in the week. The film bursts forth immediately with numerous three-way split screens bulging with highly informative and educational archival footage~~ almost too many messages to absorb at a single sitting.Most outrageous of all, we see the revered cinema Grandmaster Eisenstein presented In unabashed full frontal nude glory as a gloating Fag (extinct word for "gay") --receiving rectal penis injection from handsome Mexican producer and new found Latin lover (Luis Alberti) who introduces the austere Russian filmmaker to the pleasures of alternative sexual orientation. Presumably about Eisenstein's trip to Mexico in 1931 to make his legendary lost film which was later pieced together from existing fragments by others -- his grandiose epic collage "QUE VIVA MEJICO!". Finnish born Actor Elmer Bäck (b. 1981) is no dead ringer for the real Eisenstein but the wild wiry genius hairdo serves to identify the character. This is actually more about the fun he had there than the making of the famous movie -- thought to be lost for many years -- which is a story in itself. Just remember that Guanajuato is a city in Mexico, not to be confused with GUANTÀNAMO, the infamous CIA water-boarding school in Cuba. Bring along your Mexican jumping beans and an open mind. Not for every taste, but then -- What is? Eisenstein purists may consider all this an insult to his memory while others may see it as a loose tribute to be taken with a few grains of salt.It is well worth quoting the director's own view of the subject of his film: "The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such heights. On the back of his revolutionary film Battleship Potemkin, he was celebrated around the world, and invited to the US. Ultimately rejected by Hollywood and maliciously maligned by conservative Americans, Eisenstein traveled to Mexico in 1931 to consider a film privately funded by American pro-Communist sympathizers, headed by the American writer Upton Sinclair. Eisenstein's sensual Mexican experience appears to have been pivotal in his life and film career - a significant hinge between the early successes of Strike, Battleship Potemkin, and October, which mad him a world-renowned figure, and his hesitant later career with Alexander Nevsky, Ivan the Terrible and The Boyar's Plot". Peter Greenaway Hmm -- xMakes one wonder about Greenaway's own orientation ...N'est-ce pas?


Honestly...if you remove all the political banter that surrounded this production & actually viewed the broadcast for what it was, which was a 'dramatization' of events that led up to the 9/11 attacks, then anyone could see that this wasn't a 'bad', 'evil' or 'smear' movie. On the contrary, it provides a very intriguing commentary on how the terrorists pulled this off, how we tie our own hands through bureaucratic inaction & red tape, and can be distracted, while bickering along party lines (which continues to this day). What's dishonest is to deny that the 'path' to these events occurred during both the Clinton and Bush administrations (from 1993 - 2001, which is the time frame for this documentary). Things were overlooked & mistakes were made by all parties...the signs were there, but we dropped our guard. And what is unfounded is why we're still not allowed to further scrutinize this production through a DVD release? Step up Disney/ bold & brave...this is not the era of informative oppression...this is an important piece of work that we should be allowed free & open opportunity to see/buy/discuss, IMHO.


This is a great movie for anyone. I bought the DVD a week ago and I must have watched it 11 times since!! O.K., the whole dogs as aliens thing is a little strange, but it sure is cute.This movie is about a 12 year old boy named Owen (Liam Aiken) who walks neighborhood dogs so he can make money to buy his own dog. Owen finally gets his own dog and names him Hubble. But Hubble isn't your ordinary dog. Turns out Hubble is an interplanetary agent from the dog star Sirius and he can TALK!! In fact all the dogs Owen walks can talk, too. Owen discovers that dogs were first sent to Earth to rule the world.What makes this movie so entertaining is the voices of the dogs. Lets see, there is Mathew Broderick, Delta Burke, Donald Faison, Cheech Marin, Brittany Murphy, Vanessa Redgrave, and Carl Reiner.This movie is a must see!!


It's always nice to come across a little gem of a film like this one is. The characters are crafted so well that there is nary a false note in the entire piece. The dynamics between the daughter (Meg) and her mother, Meg and her sister, and Meg and her teacher all ring true; at times painfully so. As things so often occur in real life, this was no neat little package of events and resolutions but characters stumbling through situations making good and bad decisions and coming out on the other side having learned something from their experiences.Why can't everyone write like this! Kudos to Karen Moncrief for showing such great respect for her audience. I hope you have many more opportunities to add to your writing and directing resume. I've seen tons of films and very few of them are standouts. This is one of them.

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