MOVIE
Sonic Underground The Movie: Battle With The Boys
When Sonic and Friends finds out that they are being hunted down by a sinister group calling themselves the boys, Sonic Underground fans from all around the world come together to fight for what's right, and t prove the Sonic Underground is the best tv show in the entire world. But will doing so cause the end of life as we know it?
TV
Trailer Park Boys: Out of the Park: USA
The boys are back on the loose as Bubbles, Julian and Ricky head south of the Canadian border for some outrageous American adventures.
MOVIE
The Boys from Kingsbridge - from Grammar School to Ground Zero
Ten years after 9/11, the filmmaker shares the unique perspectives of his four lifelong friends, as they reveal, for the first time, their uplifting stories of survival, duty, and humanity as each of them dealt with being at Ground Zero on that fateful morning. A Bomb Squad detective, a fireman, an engineer for building 7, and an electrician give us a rare glimpse into the character of blue collar New Yorkers, faced with life and death situations. They reflect on how their sense of community, from growing up in an 'old school' neighborhood, influenced them and how they continue dealing with the legacy of that historic day. It's an intimate portrait of friendship and resiliency as told to their buddy, in a uniquely Bronx way.
MOVIE
Electronic Beats Festival Berlin 2012 - Pet Shop Boys
Electronic Beats Festival Berlin 2012 - Pet Shop Boys
MOVIE
1974: On the Road With The Beach Boys
In 1974, The Beach Boys were at a low ebb. Their record sales bottoming out and desperate for income, The Beach Boys hit the road. Family friend and musician Billy Hinsche conned UCLA into letting him film a documentary about the tour on grainy, black-and-white videotape with a cumbersome Camcorder for his master’s thesis. The result is a fascinating time capsule that had been buried for 37 years.
MOVIE
Los Lonely Boys: Texican Style (Live from Austin)
Austin-based band Los Lonely Boys are blazing on Texican Style, a 96-minute concert recorded before a huge, wildly enthusiastic audience in the Texas state capitol in March, 2004. And the brothers Garza do it with what remains rock & roll's most basic and reliable format: the rock guitar trio. True, there's nothing earth-shatteringly original going on here; guitarist Henry, like many others from Texas and everywhere else, is channeling Jimi Hendrix via Stevie Ray Vaughan, with a little Carlos Santana on the side (Jojo is the outstanding bassist, while Ringo--his real name, by the way--plays drums, of course). But Los Lonely Boys bring something else to the party: good singing (all three are capable lead and harmony vocalists), and enough other influences, from Tex-Mex to the Beatles, to forge a distinctive, melodically appealing sound.
MOVIE
King Joseph and The Battle for Good Takes
King Joseph and his friends all love to discuss movies and normally they are all good takes. One day Matthew is corrupted by bad movie takes and becomes the villain, Mr. Movie. He then invades Joseph's kingdom spreading his bad takes. King Joseph and his friends must regroup and work together to bring down this evil once and for all.
MOVIE
The Good, the Bad & the Corny 2: Secret Army
A counter-revolutionary group led by Dr. Madani and under the supervision of Donald Trump will send a mission to Farbod in Iran as a film crew. There, Pejman Jamshidi and Sam Derakhshani are selected as actors in the film Secret Army. Farbod tries to carry out the operation, but Pejman and Sam destroy almost everything and…
MOVIE
The Thug, the Bonehead, and the Good-Looking
A film about three troublesome friends who learn that one of them has inherited a hacienda from a deceased, rich man alleged to be his father.
MOVIE
Good Stock On The Dimension Floor: An Opera
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
